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臺師大音樂科技跨域合作組

《聽覺衛生福利部》 Ministry of Auditory Hygiene

  • 4天前
  • 讀畢需時 3 分鐘

音像展演 Audiovisual Concert|24-25 April 2026|C-Lab


《聽覺衛生福利部》電聲、影像、觀眾互動

Ministry of Auditory Hygiene

for electroacoustic and audiovisual works 我們每天都被各種聲音包圍:塑膠袋摩擦、車流聲、公共場合的談話、冷氣的低頻運轉。這些聲音不一定「很吵」,卻長時間存在,慢慢佔據注意力、拉扯情緒,累積成疲勞與緊繃。《聽覺衛生福利部》以「聽覺衛生」作為重新理解聆聽的起點,而非單一命題。計畫關注我們如何在日常中感知、承受、辨認並詮釋聲音,也關注聽覺如何與身體、心理、記憶及其他感官經驗交錯,生成對環境與自我的不同理解。透過這些延伸與轉化,作品不僅回望「噪音」的定義,也試著打開更多關於知覺、界線與感官經驗的提問。展演將於 2026 年 4 月於臺灣聲響實驗室 C-Lab 立體聲場呈現,涵蓋電子音樂、錄像、audiovisual 演出與觀眾互動等形式,共同構成一個可感知、可反思的聲音場景,引導觀眾重新察覺自己的聆聽方式與界線,並思考何謂屬於當代的「聽覺衛生」。


We are surrounded every day by all kinds of sounds: the rustling of plastic bags, traffic noise, conversations in public spaces, the low-frequency hum of air conditioners. These sounds are not necessarily “loud,” yet their constant presence gradually occupies our attention, tugs at our emotions, and accumulates into fatigue and tension.

The Ministry of Auditory Hygiene takes “auditory hygiene” as a point of departure for rethinking listening, rather than as a single fixed proposition. The project explores how we perceive, endure, recognize, and interpret sound in everyday life, while also examining how hearing intersects with the body, the mind, memory, and other sensory experiences to generate different understandings of both environment and self. Through these extensions and transformations, the works not only revisit the definition of “noise,” but also open up broader questions about perception, boundaries, and sensory experience.

Presented in April 2026 at the Spatial Audio Field of Taiwan Sound Lab, C-LAB, the program brings together electroacoustic music, video art, audiovisual performance, and audience interaction to form a sonic environment for perception and reflection. It invites audiences to become newly aware of their own modes of listening and their sensory boundaries, and to consider what “auditory hygiene” might mean in the contemporary moment.


演出時間 (共三場次) 4 / 24(五)19:30 4 / 25(六)11:00、16:30 演出時長 約45分鐘,無中場休息 演出地點 臺灣聲響實驗室立體聲場 演職人員與製作單位 製作|臺師大音樂學系 音樂科技跨域合作組 指導|趙菁文 黃苓瑄 林芝良 創作|王玟晴 林巧 林駿甫 張庭芳 章克澍 黃宇謙 執行製作|黃宇謙 舞台監督|王玟晴 創作協力|黃雨農 吳思翰 張意玟     行政執行|黃筱婷 技術統籌|謝賢德 曾靖軒 投影技術執行|李祐緯 主辦單位|國立臺灣師範大學音樂學院 合辦單位|C-LAB 臺灣聲響實驗室 協辦單位|國立臺灣師範大學音樂學系 民族音樂研究所

Performance Schedule (3 performances) April 24 (Fri), 7:30 PM April 25 (Sat), 11:00 AM & 4:30 PM

DurationApproximately 45 minutes, with no intermission

VenueSpatial Audio Field, Taiwan Sound Lab

Credits and Production Produced by | Interdisciplinary Studies in Music and Technology, Department of Music, National Taiwan Normal University Advisors | CHAO Ching-Wen / HUANG Ling-Hsuan / LIN Chih-Liang Created by | WANG Wen-Ching / LIN Chiao / LIN Jun-Fu / ZHANG Ting-Fang / Joseph CHANG / HUANG Yu-Chien Production Manager | HUANG Yu-Chien Stage Manager | WANG Wen-Ching Creative Collaboration | HUANG Yunung / WU Szu-Han / ZHANG Yi-Wen Administrative Executive | HUANG Hsiao-Ting Technical Directors | HSIEH Hsien-Te / TSANG Jing-Shiuan Projection Technician | LEE Yo-Wei Organizer | College of Music, National Taiwan Normal University Co-organizer | C-LAB Taiwan Sound Lab Supporting Organizer | Graduate Institute of Ethnomusicology, Department of Music, National Taiwan Normal University





 
 
 

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